Frank Ocean

Swim Good by Frank Ocean. This is one of my favourite songs I’ve discovered in the last few months. Kick back for five minutes and give it a listen. (Load up the lyrics on your second play through.)

It comes from the free downloadable album/mixtape Nostalgia, ULTRA, an album I’ve really been thrashing over the last few months. I’m not really into R&B generally, but this album has a Lynchian darkness to it; like a slow , soft nightmare you don’t want to wake up from.

I highly recommend grabbing this album and giving it multiple plays. It’s one of those “gets better the more you listen to it” albums.

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Also check out the video short film for Pyramids below. Off the new, non-free album Channel ORANGE. This song is the antithesis of R&B pop — a long winding path through many surprising musi-motions (music emotions — i just made that word up right now). The album version goes for 10 minutes (the video is seven).

Bonus

We’re going to New Orleans Jazz Festival next weekend, and to my delight FRANK OCEAN IS PERFORMING! Can’t wait!

A blind date with Workhorse, Spindletop, and Cite

Last Tuesday I had the pleasure of popping in to the launch of Issue #91 of Cite Magazine with my good friend Sam. He’d found the magazine recently, enjoyed it, signed up to be a member of the Rice Design Alliance (who publish the magazine), learned of the launch through the member mailing list, and asked if I’d like to come along. Being design-related, I said YES. (Side note, Sam is not a designer, he’s an eye surgeon. True story.)

Neither of us knew anyone, but we went anyway. Free booze, right? Heh, well, luckily we secured the last two beers at the launch, leaving only wine to be consumed for everyone else. They also had a full spread of finger food consumable for free. Bonus!

The launch was held at the joint establishment of Workhorse Printmakers and Spindletop Design in Houston, just outside the inner loop. The place was rockin’ by the time we arrived (hence snagging the last beers) and it was easy to connect and chat with some strangers, which is not really difficult anywhere in Houston actually.

Why we were here

The latest issue of Cite had it’s cover hand-printed at Workhorse on a 1950s letterpress machine, originally used to quickly proof newspaper pages before being moved onto much larger and much quicker production printing machines, as Workhorse half-owner John told us. The cover did indeed look great; delicate gold and black line work on soft green stock, with illustrations done by John himself.

In the middle of the room was the star machine in all it’s glory, and set up with some woodblock type so the party-goers could have a go at cranking out a print themselves. Sam was the first, and after some detailed instruction followed to the letter (snap!) produced the first print of the night. I jumped on next, turned the big ol’ lever, and had my first ever letterpress artwork. Coupled with a cheap frame for the antique store down the road, it makes quite a handsome piece of art lovingly hung right above my drumkit.

Letterpress woodblock artwork at Workhorse Printmakers, Houston, Texas

Finished and framed print

Motivation

Rad people

We met quite a few people, all of which were lovely, rad, kind, interesting, friendly, or a combination of all these things (which again, seems to be par for the course in Houston). Joe and Jennifer, principals of Spindletop were particularly rad. As was Mary Beth the artist, John the printmaker, and Raj the editor of Cite.

Conclusion

Thanks to all involved for putting on a great night!
It really doesn’t take much to meet like-minded people in Houston.
Must get out and do it more often.

And four deserved slaps

Just saw this ad on telly. Great!

Volumes (rewrite)

Yesterday I published a short post about my Mac Pro workstation’s hard drive setup. After giving it the overnight test, I scrapped it — it was confusing, missing some important details, and sloppily written. All three can be attributed to the fact I was drunk after a boozy dinner with friends.

So I’m rewriting it. Well, not so much rewriting the post, but writing about the post.

I wanted to write something about my hard drive setup because I spent a little time tweaking it yesterday to squeeze a little more performance out of my Work and Scratch drives, and I realised the way my Mac Pro storage is configured is ridiculously convoluted, but for good performance reasons.

Yesterday’s post tried to explain what was going on with words, but I think a couple of pictures will suffice. Those nerdy enough to understand will know what’s going on, those not nerdy enough won’t care. Win-win.

To begin, I have six actual hard drives in my Mac as follows:

This is the way they’re sliced and diced, and how they look on my desktop:

screengrab of volumes

And this is what’s going on behind the scenes:

screengrab of volumes

‘Nuff said.

Three

Recently it was my wife an my third anniversary. Instead of buying each other a token gift, I sent an email to a guy I met a couple years ago at Webstock, Andrew Fulton.

Andrew Fulton is a comic illustrator. I love his quirky style (and I really love his cut-off website title. He did this before it was the new shit!). His often left-of-field, or perhaps left-of-the-subject-matter-you-might-expect-from-said-quirky-style imagery trickles into my RSS reader and gets giggles.

I emailed Andrew asking if he could whiz me up a customised make-out drawing, something to mark the occasion. Despite his usual don’t-give-me-specific-details rule (to protect himself) we worked together on ‘source material’ and ideas to strike the right balance of creepy and meaningful. He was very nice to oblige.

And the painting is AWESOME-SAUCE! When I saw it in person the vibrancy and crispness of the inkwork pushed my eyeballs back into my head a few millimetres! It looks so …wow! It took my expectations out into the street, got into a rental car, and repeatedly drove over them. It may have even done a bit of a burnout.

I was so awestruck I’ve already sent it off to be framed, before I snapped some shots with my camera :/ But lucky for you lot, I was sane enough to scan it into ones and zeros.

Clickity click:

Scan of Andrew's illustration

And the clever part?
Third anniversary is a crystal affair, so we’re kicking over a bottle of Cristal. Genius!